Friday, August 23, 2013

Kristine Schomaker / Gracie Kendal

This week we have a performance artist, a curator, an instructor, a lecturer, a painter, and an art historian that we will be visiting.  Three people?  How about one fantastic lady named Kristine Schomaker (Gracie Kendal in SL)!  Welcome to The Spotlight, Kristine!


Kristine Schomaker
So tell us a little about Kristine, Gracie, and what you'd like to share with us...
Kristine is the brains of this operation. I am the beauty. No wait; she will kick my ass for saying that…LOL Kristine and Gracie are the same person. We don’t role play other characters; just wear other ‘masks’ per se from time to time.  When I speak about Kristine or Gracie, I normally use ‘I’ because that is who we are, an I.  I am a new media, performance artist and painter in both worlds. When I came to Second Life, I found it an amazing place for artists to show their work to a universal audience plus I saw the capacity for new art made entirely using the tools within Second Life. I love using the medium of Second Life for my performance art, for meeting new people, listening to my favorite singers and DJs and sharing my vision of art. I am not much of a shopper. (Shhhhh don’t tell my friends!)  I love watching people discover and share Second Life with the real world; mixing realities. Using SL with the Oculus Rift is going to be a game changer. I am so proud to be a pioneer artist among many others bringing Second Life to the real Art World. It’s scary right now, because a lot of people still don’t understand it, but we are working on that.


Gracie Kendal
What brought you to Second Life, Kristine?
My aunt and uncle actually brought me to Second Life. They came into SL in 2006 after reading about it in SPIN Magazine. They loved the idea of hearing musicians streaming concerts from their homes to people from all over the world. They met a few visual artists and thought it would be an amazing place for me to bring in my paintings. Within a week of being in Second Life I had a gallery with my paintings, a condo, the Avatar I still have today, a closet full of clothes, and well, ummm… a boyfriend…LOL.





Kristine, what's your history with the arts?
I have always loved art. Going to my grandparents I was always looking through their coffee table book of Norman Rockwell images, or admiring their faux Rembrandt hanging over their couch. My aunt and uncle collected contemporary art and I always loved visiting and looking at the brilliant color, design and patterns in the world they collected; Maxfield Parrish, Miripolsky and Mark Mothersbaugh.  My other grandparents were in construction and real estate. I wanted to be an architect from as early as I can remember. I used to go to their office and draw the plans of houses on graph paper. When I was in school, I realized how much I hated math and wasn’t very good at it. There went that dream. So I decided to take an Art History class. The professor was so inspiring and brilliant; her class made me want to continue on in the world of art. I started taking painting, drawing, color theory classes and more Art History classes. I have my Bachelors in art history and my Masters in studio art. I also had the pleasure of teaching art history at a community college for a few years. Over the last few years, with the help of Second Life, I have ventured out of my comfort zone of painting to performance art, installation and new media/digital art. It has been a really wonderful ride and I am looking forward to what the future inspires.


a scene from LEA16
Who are some of the artists that have inspired you, Kristine?
Oh gosh, there a quite a few. A major inspiration is the 2nd Generation Abstract Expressionist Sam Francis. In 1998 my painting professor took us on a field trip to MOCA in LA for his retrospective. I stood in front of these immense colorful abstract paintings and knew that was my direction. Then I saw artists such as Gerhard Richter, Helen Frankenthaler, Pia Fries and Beatriz Milhazes. As I got more into conceptual and performance art I was totally inspired by Cindy Sherman and Yasumasa Morimura. 


Tell us about your art work in real life, Kristine, and does it tie in with your work in Second Life?
I believe my art work in Second Life is my art work in real life. Everything I do in Second Life is meant for a real world audience. I am just trying to figure out how to share it in galleries etc. Before I started Second Life, I was only painting and doing mixed media/collage work. Last year I was awarded a sim as part of the Artist in Residence program through the Linden Endowment for the Arts. I created a full sim immersive installation inspired by my paintings and mixed media work called Ce n’est pas une peinture. I wanted the viewer to get a feeling that they were floating through my colorful abstract paintings. I think it was very successful.
In real life, the painting I do cannot be translated in Second Life. It is very messy, watery and drippy. The application of pouring paint and using a blow dryer cannot be duplicated in its physicality over the computer. I hope it stays that way. With some things, the lines should not be blurred.


Kristine in My Life as an Avatar
Tell us about your project, My Life as an Avatar?
When I was working on my Master’s Degree, I showed my painting professor my work in Second Life. I showed her my avatar, the art galleries and the life I created in Second Life. She was absolutely blown away by what I was doing here. She asked me some very telling questions about my Avatar. Why did I create my avatar to look like she does; tall, thin, elegantly dressed, etc? She wanted me to explore this aspect. As I delved deeper into the psychological aspect of having an ‘ideal’ avatar, I started to see the potential for performance art.  I started comparing myself with my avatar. I took pictures of both of us every day, transformed into her and did a 9 min video and most of all, learned so much about myself and learned to accept myself for who I am rather than who I want to be. The whole project has been a life changing experience. 


There was a performance that you did, challenging society's standards of beauty, called The Bald and the Beautiful.  Tell us about this, Kristine.
One day over a year ago, I had opened up yahoo, and the first news item was about how Portia Di Rossi cut her “signature” locks. I just thought, wow, how is that news??!!! So what if a woman decides to cut her hair. I started thinking about how women are mostly seen as objects for their physical attributes. They are defined by their bodies rather than their talent, personalities, intellect, wit and character. That is normally the first thing that people see when looking at a woman. So I decided to challenge those notions of the woman as object and do a performance where I had my head shaved. There was the perfect moment when I was invited to give a talk about Second Life in a series called Artist21 at the Brewery where I live in Los Angeles. I performed a skit with a friend where we talked about body image, female sexuality, physical appearance vs. character, etc. Then she shaved my head. It was THE most liberating thing I have ever done. I was ready. Over a year later, I still wear my hair buzzed and every day I consider the question why. I still have people telling me it looks better longer or asking when I am going to grow it out. I also don’t get asked out on dates, I am thinking mostly because of my hair. Having a buzzed head has some stereotypes associated with it that I am trying to break. Anyone can have short hair.


You also did a project with 2,000 avatars.  What was the focus of this performance?
This wasn't so much a performance as a whole project/installation. After dealing with My Life as an Avatar, I wanted to pursue the idea of identity in virtual worlds. I decided to take portraits of avatars and showcase them in a huge installation. It started out with 100, then 200, then 1000 and eventually 2000 individual portraits. All of the avatars are shown from behind, because I wanted to focus on the idea of anonymity within Second Life. So many people keep Second Life separate from real life, mainly because they can. I wanted to show the diversity and the creativity that each and every one of us brings the Second Life table. I ended up publishing a 2 volume set of books featuring all 2000 portraits.


You have a blog, as well, what is the focus of your blog?
My blog is a place that I share what I am doing, or feeling or finding. Most of the time I share stories based on art that I am working on. It is mostly editorial pieces that get people thinking and asking more questions that offering answers. I talk a lot about body image, stereotypes, art and Second Life.


What can you tell us about the Linden Endowment for the Arts, Kristine?
The Linden Endowment for the Arts is an organization put together to help artists in Second Life with land and resources. They have 20 sims that they award to artists who submit proposals for unique artworks. They offer them for either 5 or 6 months.



a scene from LEA16
On August 11th, at 9:00AM Pacific (SL) time, on a sim parcel named LEA16 you started rezzing something.  What was that?
Funny, I can’t remember what the first thing I rezzed was…LOL Do you remember? LOL this was the beginning of a 5 month performance/installation called “Binge and Purge” where I am going to rez my whole inventory on an LEA sim I was awarded. Since we are only allowed 15000 prims per sim, I am rezzing a little bit of my inventory at a time every 3 weeks. When that 3 weeks is up, I will delete the sim entirely and rez 15000 more prims until my inventory is completely empty.



a scene from LEA16
What was the inspiration for Binge and Purge?
I can’t say what the exactly inspiration was. I am always conscious of consumerism and materialism. I try to live a more minimal lifestyle and don’t feel the need to own expensive stuff. I thought about reality TV and shows like Hoarders. I have an eating disorder, so I understand how people do stuff like hoard, drink, smoke and shop excessively. I eat to excess sometimes. I have learned through therapy and an eating disorder support group that it isn’t about the food but about an underlying need for something. For me it may be comfort or its filling a void. I am still working on that.  I honestly don’t have an exact answer to this question. One day, just like that, I thought, I have to purge my inventory. I have to delete everything. I know there are some deeper philosophical/theoretical concepts behind this piece of art, but I will leave that to the critics and historians.


a scene from LEA16
Now you have a few rules that you've made for yourself, what are those?
These are the rules I typed up on my blog. Of course, remember, rules are made to be broken!  







Rules of the game:
  • Buy Buy Buy. I will spend the 20,000L I currently have in Second Life until it is gone. (Done)
  • I will rez 15000 prims worth of ‘stuff’ from my inventory every 2-3 weeks. (Sunday morning 9am SLT/PST)
  • After the 2-3 weeks, I will delete all 15000 prims. (This will include all my art, presents, furniture, houses, clothes, pictures, notecards, landmarks, calling cards, collected art, etc.) EVERYTHING.
  • I will take pictures of my inventory window/the interface after each purging
  • Each Binge and Purge will be documented through filming and photography.
  • Everything I own in Second Life will be on this sim and eventually deleted.
  • Then what?


a scene from LEA16


I had the pleasure of being there for most of the items that you rezzed on 8/11, as did Kiki Szetey and several others.  What was it like to have an audience?
It was really a lot of fun. It was nice having a sounding board. It was great hearing the comments. “I remember that.” Or “I had that when I was a newb.” Etc. Even with the embarrassing moment when I deleted the clothes Gracie was wearing, I felt it was important to have an audience. It wouldn't have been the same if I was alone.  I needed people to be there who understood, who asked questions and who supported me. Would it have been a performance if I was alone?




Overview of LEA16
So, now you have, what ... 15,000 prims rezzed at LEA16.  What will you do with these items?
On Sept 1st, probably about 11am slt, I will delete all of those 15000 prims. They will go into my trash in my inventory where I will delete them again and they will be gone from SL never to be seen again. Well except in photos and video.











So you said that you will "empty out and delete EVERYTHING from your inventory".  Surely there will be a few items that you want to keep for sentimental reasons, yes?
Nope, everything will be gone. Notecards, calling cards, textures, landmarks, all objects, clothes, etc. I would like to say, I want to be a newb again. I want to bring back the naiveté from our SL youth, but I don’t believe that is possible. Everything is sentimental and nothing is sentimental.





a scene from LEA16
Your current performance, Binge and Purge, has been also been in Ziki Questi's blog too.  
Ziki is a great promoter and supporter of the arts in Second Life. She is a lovely friend and I am honored she wrote about the project. It is important for people to write about it. It has already brought up some controversy questioning one-of-a-kind objects in SL and what happens when they are gone etc. Writers like ZIki are important for keeping these conversations going.



What's next for you, Kristine?  Do you have other projects in the works?
I don’t really have any projects in Second Life in the works. Currently I am creating some new mixed media pieces in real life, getting my art ready to sell at an upcoming Artwalk and planning a new performance. It is going to be the bravest performance I have done yet. It will involve me being nude (in RL of course). Stay tuned into my blog for more details!


Kristine thank you very much for your time today, for letting us get to know you better, and for sharing your work with us.



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